May 20, 2014

Concerts

All our ticket prices are discounted $5 for advance purchases.  For example, $10/$15 means ten dollars in advance or fifteen dollars at the door.  Unless otherwise specified, advance tickets are available until noon on the day of the concert at brownpapertickets.com.  For any difficulties with online purchases, please call 1-800-838-3006.

 

DOORS OPEN 30 MINUTES PRIOR TO EACH SHOWTIME


 

 


 


Saturday, February 17th, 8pm, $25/$30: Kevin Burke!

Legendary Irish fiddler Kevin Burke brings his masterful playing and storied solo performance back to the Focal Point!  The New York Times describes Burke as “impressively virtuosic…a superior instrumentalist in any idiom,” and The Washington Post calls him “a lyrical player of emotional electricity.” Born and raised in London to Irish parents, Kevin was a key figure in Ireland’s traditional music revival of the 1970s, as a member of The Bothy Band and with Christy Moore, Paul Brady, and Andy Irvine. Burke’s solo concerts are special. Though he has spent much of his career in a group context (Bothy Band, Celtic Fiddle Festival, Patrick Street), he has never lost his love for the tradition of solo fiddle music. His mesmerizing tunes and deeply soulful playing, along with his celebrated stories and wit, make for a fascinating live experience.

Kevin’s new album “The Pound Ridge Sessions” with California guitar pro John Brennan (Eagles, Byrds, Graham Nash), is a departure. They recast Irish tunes with a rock edge, and bring Sligo soul to classics by Jimi Hendrix, Allman Brothers, Bill Monroe, and bluesmaster Lonnie Johnson. “London Town” is a Burke original on lyrics and vocals, describing the vibrant Irish music scene in post-war London. The new CD will be on sale at the concert!

“Probably the greatest Irish fiddler living” The Village Voice

TICKETS STILL AVAILABLE AT THE DOOR


Friday, February 23rd, 8pm, $10/$15: Focal Point Friends of Old-Time Music present: Frank Lee & Allie Burbrink

Frank Lee and Allie Burbrink present songs and tunes from the rural Southern, spanning bluegrass, old time, blues, and spirituals. After a few years of collaborating, they took their duo act on the road in January 2016, with Frank playing guitar, slide guitar, and banjo and Allie playing guitar, banjo, and harmonica. They can also be heard trading off lead and harmony vocals in their duo and with their old-time string band The Freight Hoppers.

A passion for traditional songs and tunes from the rural South has fueled Frank’s love of performing for the past 40 years.  As a founding member of The Freight Hoppers, he has shared this passion with audiences all over the United States, Canada, and northern Europe. His repertoire has a range of old time music that spans raw blues from the Mississippi Delta to the hillbilly music recorded in the 1920s. Banjo players all over the world study and emulate Frank’s signature clawhammer sound.

Allie Burbrink is a founding member of The Whipstitch Sallies, a bluegrass-influenced band from Indiana that toured in North Carolina, Colorado, and Hawaii in addition to a busy local schedule. She works with the Wernick Method Bluegrass Jamming organization and performs in the duo and with The Freight Hoppers.

Frank and Allie also organize an old-time music retreat in the Great Smoky Mountains in early April called the Banjo-Fiddle Frolic.

https://www.frankleeandallieburbrink.com/


Saturday, February 24th, 8pm, $10/$15: The Gaslight Squares

The Gaslight Squares are a relatively new group to St. Louis, but as their name suggests, they link themselves to a great history of St. Louis traditional jazz. The band is led by British cornet player T. J. Muller, accompanied by native St. Louisans Jacob Alspach (banjo), Jon Weiss (tuba) and Matt Sellers (piano).  The band perform with regularity around St. Louis, playing traditional jazz tunes both easily recognized and obscure. Come celebrate the passing down of a music played in St. Louis since its earliest days, and dance to some great old melodies.

 


Wednesday, February 28th, $15/$20: Songbird Cafe

Dade Farrar

Gary Hunt

John Jump

Stephanie Stewart

Doors- 6:45     Show 7:30


Friday, March 2nd, 8pm, $10/$15: Focal Point Friends of Old-Time Music presents: River Bend

Formed in 2015 in the heart of the Midwest, River Bend is a Traditional Bluegrass band that is dedicated to the performance and preservation of the High-Lonesome Sound. With soaring tenor harmonies, driving instrumentation, and the classic bluegrass groove, this group recalls the voices of Bill Monroe, the Stanley Brothers, Vern Williams, Red Allen and more. Those looking for the authentic true grass experience reflecting the sounds of the early days of bluegrass and a simpler life will not want to miss this show.


Saturday, March 3rd, 8pm, $10 at the Door: Benefit for the St. Louis Blues Society

Big Mike Aguirre

Kingdom Brothers Duo

Jason David Cooper & Greg Hommert

 

Donations will be taken at the door


Wednesday, March 7th, 7:30pm, $20/$25: Paul Brock Band

Paul Brock Band features four of Ireland’s leading musicians: Paul Brock on accordion from Ennis, Co.Clare;  Tipperary-born Denis Carey on piano;  Clare-born and now St. Louis based Eimear Arkins on fiddle, song, and dance ; and Manchester’s Shane Farrell on banjo, fiddle, bodhran, guitar, mandolin, and song.

A beacon of passion and precision, integrity and diversity, Paul Brock Band is steeped in the Irish musical tradition and yet manages to seamlessly, effortlessly blend and fold in elements from American old time and bluegrass, French-Canadian, and other Celtic traditions to create something accessible, recognizable, beautiful, and entirely unique. This ability is exemplified in the band’s most recent album, Green Grass Blue Grass, featuring 14-time Grammy Award winner Ricky Skaggs. American music critic Bill Margeson has hailed the collaboration as a “masterpiece”.

The band and its members have been the recipients of numerous awards including ‘Best Instrumental Band of the Decade’ ( Irish American News).

****Not the show starts at 7:30pm****


Friday, March 9th, 8pm, $10/$15: Annie and the Fur Trappers

Formed in 2016, Annie and the Fur Trappers has evolved from a conglomerate of jazz musicians to a solid ensemble dedicated to keeping the music of the 1920s and 30s alive today. Drawing on the history of St. Louis and New Orleans jazz, Annie and the Fur Trappers plays delta blues, traditional jazz, dixieland, and swing favorites. Founded by Annie Linders (cornet, vocals), its members include Bryan Cool (banjo), Jon Weiss (tuba), Rudy Torrini (clarinet), Joe Sparks (trombone), Yuki Aono (alto saxophone), Christopher Parrish (piano), Adam Andrews (washboard), and Christian Frommelt (piano).


Saturday, March 10th, 8pm, $15/$20: Buddy Mondlock

Buddy Mondlock writes songs. He does it so well that some great songwriters have recorded his songs on their own albums. Guy Clark, Nanci Griffith, and Janis Ian, to name just a few. He’s not going to pin your ears back with those songs. He’s going to draw you into his world. Where a single snowflake follows the trajectory of a relationship, where you get your pocket picked by a Roman cat, where you might swim over the edge of the world if you’re not careful and where dreams that don’t come true still count. We recommend this one.


Sunday, March 11th: Cajun Dance

Spring forward & get your groove on with music by the fabulous Boudin Brothers. Basic zydeco dance lesson at 1:45pm, followed by dancing to live music 2:30-4:30pm. No experience or partner necessary. $10 admission.  There will also be some seating available if you just want to listen.

The Boudin Brothers are Tom Martin-accordion, Thayne Bradford-fiddle, Andy Coco-bass, Ron Sikes-rubboard, Benet Schaeffer-drums, Tim Halpin-Guitar.  Zydeco is a poly rhythmic style of music developed by the black culture of southern Louisiana. It incorporates blues, swing, R&B, & rock into the French music they shared with the Cajun culture. The songs are sung in French or English. The result is an infectious, danceable sound which lends itself to various dance styles including zydeco, which evolved from the Cajun two step.


Friday, March 16th, 8pm, $10/$15: St. Louis Steady Grinders

Though rarely celebrated, and often overlooked, St. Louis had a pre-war blues sound all its own. Most often, it was vocal blues with piano accompaniment. It had a low-down and plaintive sound, sparse but full of sweetness and subtlety. This is the music that The St. Louis Steady Grinders love to play.

This year, Miss Jubilee (vocals) and Ethan Leinwand (piano) will be joined by two of Chicago’s most accomplished performers of early jazz and blues. Dave Bock (trombone) and Johnny Donatowicz (guitar) are members of the celebrated Fat Babies and Chicago Cellar Boys.  They’ll bring their superb musicianship and extensive knowledge, creating a quartet that will perform authentic St. Louis blues as it would have been heard in the 1920s and 30s.

Vocalist Valerie Kirchhoff (aka Miss Jubilee) is St. Louis’s most recognized singer of early jazz and blues. Ever a champion for the city’s musical history, her knowledge of the music, combined with the depth and power in her voice, have made her one of the most important contributors to the recent resurgence of St. Louis’s music and dance community. Pianist Ethan Leinwand – previously based in Brooklyn, NY – arrived in the summer of 2014 specifically to play old St. Louis blues with Valerie. Ethan has quickly become a mainstay in his adopted city, performing solo and with multiple projects. Ethan performs throughout the United States and Europe, and is gaining recognition as one of the world’s leading exponents of barrelhouse blues piano.

 


Saturday, March 17th, 3pm & 8pm, $10/$15: St. Patrick’s Day Celebration with Eimear Arkins & Eileen Gannon

Eileen Gannon and Eimear Arkins have been lighting up the Irish music scene in St. Louis for the past several years. Eileen, a St. Louis native, is one of the top Irish harp players in the world. She has won numerous accolades including the highly coveted Senior Harp title at Fleadh Cheoil na hÉireann (World Irish Music Championships). She has a bachelor’s degree in Music Performance from St. Louis University and a master’s degree in Ethnomusicology from University of Limerick. This past summer, Eileen launched her debut solo CD, The Glory Days Are Over. www.eileengannon.com

Eimear is an award-winning singer and fiddle player from County Clare with eleven solo Fleadh Cheoil na hÉireann titles to her credit. She has performed throughout the US and Ireland with acclaimed bands like Cherish The Ladies, Téada, The Paul Brock Band, Brú Ború and The Nashville Celts. She has toured extensively with Comhaltas Ceoltóirí Éireann in Ireland, Britain, North America and Canada. www.eimeararkins.com

Eileen and Eimear are both tutors at St. Louis Irish Arts and have been guest artists at numerous festivals throughout the world, including Catskills Irish Arts Week, New York; World Expo 2015, Milan; Viljandi Pärimusmuusika Festival, Estonia; St. Louis Tionól; Canadian Celtic Celebration, Canada; O’Flaherty Retreat, Texas and Festival Interceltique de Lorient, France

Together they will perform a beautiful blend of haunting harp melodies, sean-nós songs and plenty toe-tapping dance tunes to liven up your St. Patrick’s Day!

Buy tickets for 3pm Matinee Show

Buy tickets for 8pm Evening Show


Sunday, March 18th, 3PM, $10/$15: Klezmer with Will Soll and the Youngers of Zion

Will Soll (voice, mandolin, guitar, tenor banjo) is among St. Louis’ most passionate and prolific exponents of Yiddish music.  He is privileged to be playing at this concert with excellent young local musicians: Alyssa Avery of Mt. Thelonious (violin), Dana Hotle of the Illinois Symphony and St. Louis Chamber Project (clarinet), Shlomo Ovadya of Madrinas Coffee (doumbek), and Mark Wallace of Mt. Thelonious (acoustic bass).   Join them for some high-octane klezmer and some soulful Yiddish song.


Wednesday, March 21st, 8pm, $15/$20: Susana Raya

Considered by the jazz critic and historian Ted Gioia as “the Andalusian Eva Cassidy”, Raya is a rare thing in art. She has developed a style where voice and guitar seem to breathe at the same time.  Songwriter, classically-trained guitar player, European awarded jazz singer, and jazz guitar graduate, Susana combines her singer-songwriter spirit with a jazz touch which is enhanced by her Spanish roots.

Her collaboration with the legendary jazz bass player Steve Swallow in New York opened the door to record her new album Wind Rose. Providence brought her the joy to make it with a five-star team: Clifford Carter, Ira Coleman, Leo Amuedo and Cyro Baptista. The producer, Gary Burke, says: “She can sing, she can play, and she can write. A triple threat, as we say here in the States.”

“My music is the result of being inspired by artists that have resonated in me profoundly. My biggest love has gone to Chet Baker, Pat Metheny, Elis Regina, Antonio Vega, Eva Cassidy, and many others…”


Friday, March 23rd, 8pm, Price $10/$15: Andrew Calhoun

Andrew Calhoun’s music is innovative and rooted in tradition. In forty years as a performer he has evolved an increasingly varied repertoire including original songs, Irish and American folk songs, Scottish ballads, spirituals, hymns, historical background, comic songs, and poems and songs by writers such as Dave Carter, Mary Oliver, and Robert Frost. He is currently working on a Robert Burns songbook, including new research on the tunes used by Scotland’s bard. At age seven, Andrew memorized W. B. Yeats’ “Song of Wandering Aengus,” thus earning a nickel from his mother. He got his first guitar in 1967 at the age of ten, and began writing songs at twelve. By the late seventies, he was performing in the Chicago folk scene. Six months of janitorial work at the DAVEA Center in Addison, IL, funded a trip to Europe in 1977 leading him to hear Martin Carthy at the Cambridge Folk Festival in England, and Carthy along with Leonard Cohen remain guiding musical inspirations. He has since toured internationally, performing at folk clubs and festivals, pubs and house concerts. In 1992, Calhoun founded Waterbug Records, an artists’ cooperative folk label which has grown to 130 titles, bringing some of the brightest singer-songwriters and folk musicians to an international audience. His own recordings have been released on Hogeye, Flying Fish, and Waterbug Records. Recent projects include a double CD, Rhymer’s Tower: Ballads of the Anglo-Scottish Border, and Skeins, a duo CD with his daughter Casey Calhoun. In October 2012, Andrew was given the Lantern Bearer Award for twenty-five years of service to the folk arts in the Midwest by the Folk Alliance Regional Midwest. In July 2014 he received a lifetime achievement award from the Woodstock Folk Festival.

“A wonderful songwriter and funny, warm performer.” – The Daily Iowan

“Calhoun is a master at story songs, finely crafted works that swiftly and economically capture a moment or express an emotion. Like the best novelists, he is able to assume different personas and see the world through other people’s eyes.” – June Sawyers, Chicago Tribune

“He’s blessed with a resonant baritone, crystalline fingerpicking, and a writer’s ear.” – The Oregonian

“His songs are majestic in their imagery and endlessly challenging in their themes.” – James Tarbox, St. Paul Pioneer Press-Dispatch

“…he goes an awfully long way toward overturning the prevalent image of folksingers trying to live in a past that never was.” – Renaldo Migaldi, Chicago Reader

“…unbelievably powerful imagery.” – Merlin David, Performing Songwriter

“He is a creative force in the songwriter movement, a dynamite guitarist, and a traditional song interpreter of great skill. His introductions to songs can keep you doubled up with laughter, his songs run the gamut of human experience and emotion.” – Phil Cooper

“Andrew Calhoun tells the truth. To my knowledge, there is no better songwriter alive.” – Dave Carter


Saturday, March 24th, 8pm, $15/$20: Michael Peter Smith

One of the most captivating songwriters in the folk arena, celebrated musician Michael Peter Smith has toured the United States and Canada for nearly five decades. He creates new work on a constant basis, and music’s finest performers record his songs. His song “The Dutchman,” a signature piece for the late Liam Clancy and for the late Steve Goodman, and still recorded by dozens of others, is considered a classic. Michael’s latest CD features songs inspired by Moby-Dick.  Michael has appeared at The Focal Point more than a dozen times over the years, and his performances here have always been a special treat for all who attend. Come see why.

http://www.michaelpetersmith.com/

 


Wednesday, March 28th, $20/$25: Songbird Cafe

Stephanie Lambring

Erin Enderlin

Kyle Nachtigal

Ben Bedford

Doors- 6:45     Show 7:30


Friday, March 30th, 8pm, $10/$15: The Rum Drum Ramblers

The backward-glancing trio Rum Drum Ramblers is most commonly thought of as a blues band, and certainly, the young men in the group seek to revive a certain strand of acoustic, prewar blues music. But after listening to its second album, “Mean Scene,” one could argue that the Ramblers is a soul band; just listen for a few minutes to guitarist and singer Mat Wilsons sweet, husky voice and feel the easy rhythm of the best early R&B singers. Or perhaps its best to describe it as a country act: Theres so much twang-bangin and swift-pickin on Nothin New that Buck Owens is probably tipping his ten-gallon hat to these fellows from the great beyond. But then, terming the Rum Drum Ramblers as country (or blues or soul) would ignore the jazzy underpinnings that Joey Glynn pumps out of his sonorous upright bass and the forceful blowing of its guest horn players. Better yet to put genre tags aside and let the Ramblers’ interpretation of American folk idioms fan you like a humid breeze.

It’s easy to pair the Ramblers with the similarly-styled Pokey LaFarge  after all, Glynn and harmonica player Ryan Koenig make up two-thirds of LaFarge’s South City Three. But where LaFarge is a passionate performer, he is never ruffled; his gentlemanly demeanor doesn’t allow for it. The Ramblers don’t mind if a little sawdust gets mixed in with its whiskey, and that looseness spreads a freewheeling flavor over the dozen tracks on “Scene.” Trash-can percussion and second-line horns adorn the lazy shuffle of Get Behind the Wheel, and the electric fuzz of All the Little Days proves that the band doesn’t play it straight even when plugged in. In fact, the only constant across these songs is that Wilsons intuitive guitar playing  bluesy, jazzy, soulful and twangy  is tough to pin down. He’s a stylist who has ingested decades worth of popular (and unpopular) music, and he and his equally flexible bandmates spit these influences back out in familiar but thrilling fashion.


Saturday, March 31st, 8pm, $10/$15: Roger Netherton & Teddy Breihan

Teddy Breihan (piano) and Roger Netherton (violin) met in Japan while studying abroad in 2015.  Immediately a musical spark grew between them, drawing on Teddy’s background as a versatile pianist and Roger’s experience as a multi-genre fiddle player. Over the following years, their collaboration culminated in an album showcasing Teddy’s compositions as well as some classic duo improvisations (available at teddybreihan.bandcamp.com/releases).

Teddy Breihan was born and raised in Milwaukee and has been playing piano since a young age. He’s performed with a number of musical acts around the Milwaukee area as well as in St. Louis, meanwhile building his own original repertoire of evocative themes inspired by places and personalities, ranging in mood from energetic to contemplative.

Roger Netherton taught himself to play fiddle at age 11. Now, ten years later, he is well known for his powerful style and prize-winning performances at national, regional, and local competitions. Traditional old-time music remains one of his central interests, even as he has branched out to such styles as gypsy jazz, swing, and blues. He plays regularly at dances, shows, and festivals within and beyond his home of St. Louis.

 


Sunday, April 1st, 2pm MATINEE, $10/$15:  Focal Point Friends of Old-Time Music presents: Charlie Walden & Patt Plunkett

After twenty plus years of playing traditional music together Patt Plunkett and Charlie Walden (aka Patt & Possum) have learned a thing or two about getting along musically.  So while some couples might bicker about the bills or where to go out to eat, these two battle over chord progression and set lists.

Charlie and Patt both grew up listening to and playing traditional mid-western fiddle music.  Charlie learned as a teenager at the feet of some of Missouri’s finest old time fiddlers, including Pete McMahan, Taylor McBaine and Cyril Stinnett and was encouraged by countless others.  Along the way he developed an interested in Canadian fiddle tunes as the fiddling in the Ottawa Valley is similar in style and shares some common repertoire with Missouri.  As such,  other important influences through recordings were Graham Townsend, Don Messer and Ned Landry.  He is also a big fan of Kenny Baker, Chubby Wise and Joe Meadows where Bluegrass is concerned.

Patt started out by playing piano for her grandfather, Carl Voorhees, who was a seasoned Illinois square dance fiddler.  She went on to play Irish-style piano accompaniment and formed a ceili band in Chicago, which won the local Fleah Ceol twice.  She is also a professional music educator and trained singer. Patt’s love of music and natural ability as a dancer led her to take an interest in square and contra dance calling and instruction along with individual clogging and step dance performance.

Charlie and Patt are active contra and square dance musicians, performing for numerous such events each year.  They serve as instructors at several music camps, giving instruction on fiddle, piano styles, traditional dance and vocal music.

 

 

 

****PLEASE NOTE THIS SHOW BEGINS AT 2PM****


St. Louis Folk music at thefocalpoint.org

Friday, April 6th, 8pm, $15/$20: An Evening with Spencer Bohren

Spencer has a marvelous gift for sharing his great love for America’s wealth of traditional folk, blues, gospel, and country music with audiences of all ages. His ability to animate the musicians and singers from the past with both respectful readings of their music and spellbinding stories is legendary. The atmosphere of his New Orleans home subtly informs each performance. What’s more, the stories that preface the songs are as fascinating and well-crafted as the songs themselves.


Saturday, April 7th, 8pm, $10/$15: Focal Point Friends of Old-Time Music presents: Willi Carlisle Goehring

Willi Carlisle is, according to The Washington Post, “powerful…both down-home and brainy.” With years of collecting folklore, playing or calling square dances, and working in the avant-garde, Willi Carlisle Goehring is a multi-faceted songwriter, performer, and instrumentalist on the banjo, guitar, fiddle, and accordion. With a style forged in the fire of Ozark old-time music and his ever-growing collection of antique music, Carlisle’s musical stories hoot, stomp, and saunter through joys and troubles uniquely southern and timelessly true.


April 12th & 13th: $25/$30: Legendary British Folk Revivalist, Martin Carthy -Solo- (Opening set Eimear Arkins)

Martin Carthy (MBE) is an English folk singer and guitarist who has remained one of the most influential figures in British traditional music, inspiring contemporaries such as Bob Dylan and Paul Simon, and later artists such as Richard Thompson, since he emerged as a young musician in the early days of the folk revival.

If the English folk revival of the 1960s had a single “father” and guiding spirit, then Martin Carthy was it. Carthy’s influence transcends his abilities, formidable though those are — apart from being one of the most talented acoustic guitarists, mandolinists, and general multi-instrumentalists working the folk scene in the 1960s through today, he’s also a powerful singer with no pretensions or affectations, and is an even more prodigious arranger and editor, with an excellent ear for traditional compositions. In particular, he is as much a scholar as a performer, and frequently goes back to the notes and notebooks of folk song collectors such as Percy Grainger, scouring them for fragments that could be made whole in performance — no “second hander,” he uses the earliest known transcriptions and recordings of many of the oldest folk songs known in England as his sources, and works from there. By 1966, at the time he was cutting his first two albums, Carthy was already an influence on Bob Dylan and Paul Simon, and by the end of the 1960s was de facto mentor to virtually every serious aspiring folk musician in England. At least three major English folk-rock bands, Fairport Convention, Steeleye Span, and the Albion Band, were formed either directly or indirectly with his help and influence.

Martin is an old, dear friend of the Focal Point family and patrons alike. It has been far too long since he’s been able to make it back the midwestern United States. We are all very excited, humbled, and reminiscent about his return! Furthermore, it’s no accident that Martin’s visit nearly coincides with long-time Focal Point proprietors Eric and Judy Stein’s 50th wedding anniversary! If it weren’t for Eric and Judy, it is quite possible that our little theater and arts center would not exist. After its founding in 1975 by Bill and Janet Boyer (former owners of Music Folk in Webster Groves, MO), the Focal Point was handed down to a short succession of directors. In 1983 it was picked up by long-time fan and supporter of the traditional arts, Judy Stein, who ran the artistic side while her husband Eric took the technical aspects. Together, and with the help of a few friends, they expanded and grew the Focal Point into a world-class folk music destination, bringing in such acts as Martin Carthy, Dave Swarbrick, Doc Watson, Norman Blake, Dave Van Ronk, and John Renbourn, to name but few. In 2011, Judy took a semi-retirement from the venue and passed it to a new group of friends, but stays active as a part time volunteer and advisor while Eric Stein remains our head sound engineer and can still be found at the mixing board from time to time. With these concerts, we are celebrating not only the Focal Point’s long, rich history but the couple who made us what we are today.

Eimear Arkins:

Eimear Arkins comes from a small village on the West Coast of Ireland called Ruan in County Clare but she has been living in Missouri for the last number of years. She is an award winning musician, singer and dancer with eleven Fleadh Cheoil na hÉireann titles to her credit. Eimear has toured extensively with the international music organization Comhaltas Ceoltóirí Éireann on concert tours throughout Ireland, Britain, North America and Canada. For the past six summers, Eimear has performed with the internationally renowned show Brú Ború and was part of the troupe that represented Ireland at World Expo 2010 in Shanghai. In August 2015, she traveled to World Expo in Milan with St. Louis Irish Arts where she promoted not only Irish culture but the expression of Irish culture worldwide.

Eimear has toured and performed throughout the US and in Ireland with Cherish the Ladies, Téada, The Nashville Celts and The Paul Brock Band. Eimear has been a regular teacher at St Louis Irish Arts since 2011 and has given workshops at festivals all over the world including Catskills Irish Arts Week, New York; Viljandi Pärimusmuusika Festival, Estonia; St Louis Tionól; Canadian Celtic Celebration, Canada and Festival Interceltique de Lorient, France.

Thursday, April 12th, 7pm

Friday, April 13th, 8pm


Saturday, April 14th, 8pm, $12/$15: The Aching Hearts EP Release

The Aching Hearts is a collaboration between two of St. Louis, Missouri’s leading figures in folk and roots music. The duo features a mix of guitar, banjo, fiddle, mandolin, washboard, and old time vocal harmonies. Utilizing songs of the past and the present, An Aching Hearts performance will take you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their mournful country vocal duets will bring a tear to your eye, and their original songs and stories focus on life, death, love, and marriage are sure to inspire, entertain, and delight.


Friday-Sunday, April 20-22:

Tionól is celebrating 21 years of bringing the very best in traditional Irish music to St. Louis.  Come join us for a concert (see link) or better yet, join a workshop and learn how to play the penny whistle, or the bodhrán, the Irish drum.

We have a great lineup of musicians this year for fiddle, flute, guitar, song, uilleann pipes, whistle, bodhán and much, much more.  Kevin Crawford, the flute player for Lunasa will be here, along with the 2017 awardee of the prestigious Young Musician award.

Schedule

FRIDAY – April 20th
7:30 PM – Concert
at Focal Point, 2720 Sutton, 63143
See Concerts Page for details
Directions: see maps

SESSIONS FOLLOWING THE CONCERT

 

SATURDAY – April 21
9:00 AM – Workshop Registration
Venue: Nerinx Hall High School
530 E. Lockwood, Webster Groves, MO 63119

For more info see Workshops
Directions: see maps

9:30 AM – 3:30 PM – Workshops
There is a 1-1/2 hour break for lunch from 12 – 1:30PM

you can order lunch on the registration page or lots of places within walking distance

7:30 PM – Concert
Venue: The Sheldon Concert Hall, 3648 Washington Ave., 63108
See Concerts Page for details
Directions: see maps

11:00 PM till ?? – Sessions

Venue:  Tigín Irish Pub, 333 Washington Ave., 63104

Directions: see maps

 

SUNDAY – April 30
10:30 AM – 4:00? brunch and sessions at John D. McGurks, 1200 Russell
Directions: see maps

 

  All the information is available at www.tionol.org,

call 636-926-9192, or email mikemullins at tionol.org.


Wednesday, April 25th, $44/$50: Songbird Cafe

Matraca Berg

Marshall Chapman

Will Kimbrough

Tommy Womack

All Nashville – as seen at The Bluebird Cafe

Doors- 6:45     Show 7:30


Saturday, April 28th, 8pm, $20/$25: Tempest 3oth Anniversary Tour

Our old friends, multi-national (Norway/ Cuba/ California/ Missouri!) Celtic rockers, this year celebrating 26 years on the road! They dazzle crowds with a blend of Scottish, Irish, Norwegian and original songs and tunes on fiddle, double-necked electric mandolin, drums, guitar and bass. Their energy is infectious, their musicianship is impeccable, their knowledge of their sources is extensive, and their sound is indescribable! You will most likely get up and dance.


Sunday, April 29th, 7pm, $10/$15: Duke Ellington’s 119th Birthday Celebration: Christopher Parrish

Christopher Parrish first visited St. Louis this past June to play at the Second Annual St. Louis Piano Festival.  By the end of September, he’d moved here permanently and had been featured in the Riverfront Times’ “Best of St. Louis 2017” issue as “Best St. Louis Story.”  Since his move from Indianapolis, St. Louis has warmly embraced what he has to offer both as a lively interpreter of traditional ragtime and blues piano and as an exciting improvisational player covering a broad range of styles.  Both contemplative and witty – sometimes simultaneously – his playing routinely quotes from a variety of musical genres, including a generous sampling of classical themes, and always rewards close listening.  In addition to his solo playing, his other projects include The St. Louis Ticklers and an occasional role in Annie and the Fur Trappers.  The Focal Point is delighted to welcome him back our stage! More at https://www.facebook.com/CParrishMusic/

****PLEASE NOTE THIS SHOW BEGINS AT 7PM****


Just announced!

July 28: Guitar Heroes: Dave Black, Brian Curran, Tom Hall

August 11th: Salt of the Earth


May 2018 & Beyond:

May 5: Dick Hensold

May 11: The Western Satellites

May 12: Calvin Street Band

May 18: Dennis Stroughmatt – Tribute to Ray Price and His Cherokee Cowboys

May 19: No Concert — Taste of Maplewood

July 28: Guitar Heroes: Dave Black, Brian Curran, Tom Hall

May 25: TBA (reservcd)

May 26: TBA (reserved)

June 1: Rich McDonough

June 2: TBA (reserved)

June 8: Ivas John & Gary Gordon

June 9: Dakota Dave Hull

June 15: Tommy Martin

June 16: The Chimps

June 22: Jake’s Leg acoustic

June 23: Sweetie and the Toothaches

June 29: TBA (reserved)

June 30: TBA (reserved)

July 6th: TBA (reserved)

July 13th: No Concert: Let Them Eat Art

July 14th: TBA (reserved)

July 20th: Jane and John Vidrine

July 21st: Marge Steiner and Andy Cohen

July 27th: Eric Taylor

July 28: Guitar Heroes: Dave Black, Brian Curran, Tom Hall

August 3rd: TBA (reserved)

August 11th: Salt of the Earth

December 15: Jake’s Leg acoustic

 

*Presented by Focal Point Friends of Old-time Music

… and many more!

Concert series sponsored in part by: